Develop A Photographer’s Eye

Guitar photo by Scott Bourne

Develop A Photographer’s Eye

An old-time, professional photographer once told me that we don’t get paid to take pictures. We get paid to see things that “normal” people do not. It took me several years to understand what he was trying to tell me, and when I figured it out, everything changed for me. Bare with me as I tell you a little story…

I once led a photo workshop to the Green Mountains of Vermont. Our group was there to photograph fall color and we had a cornucopia of opportunity everywhere we looked.

There were gorgeous streams surrounded by maple and birch trees that were exploding with color. There were leaves on the ground, on the road, in the trees, in the water, and it was truly amazing.

One of the students on the trip was from India. He had never seen anything like it. He did admire the beauty. But over and over during the workshop, he kept approaching me and my co-leader saying “I don’t get it. What is there to photograph here?”

Some people have an eye. Others have yet to develop it. Regardless of your camera budget, if you have an eye or can develop it, you will go far in photography.

The purpose of this post isn’t to determine whether or not you have an eye, or even how to develop it. It’s to get you thinking about it and to get you SEEING as something new.

Ansel Adams used to scout with no camera in hand. Just a notebook. Making notes and creating sketches, he gathered all this visual data in hopes that he could be inspired to pre-visualize a photograph. Perhaps months or even years later he would go back to those places; this time camera in hand, and make images that are still talked about today, long after his death.

I have tried (as hard as I can) to get people to open up the part of their soul that has nothing to do with camera or lens. Unfortunately, in today’s instant gratification-hungry world, it’s rare to find someone who will look past the superficial to find something special. Everyone just wants a magic camera, or lens, or camera setting or post-processing, preset. Unfortunately there is no magic anything. What there is well, that is all about SEEING. I know there are few of you but all I need to want to share this story is you few. There are still some among you who understand that there is something more to photography than gear.

And it’s you I am talking to. I want to encourage you to “feel” your way to a photograph.

Let me explain…

I love the intersection of music and photography, since I am both a photographer and a musician. One of the most important lessons I learned while studying music was that I should treat my musical instrument as a vehicle for expressing myself. In my case, the guitar – it exists to help me share my point-of-view and my feelings. I can use it to express my emotions and hopefully, the music I create to bring others along with me on a journey past the superficial and onto something more meaningful.

Guess what. The camera is just like the guitar in that situation. The camera exists simply to help us express ourselves. Far more important than which f/stop we use or which focal length lens we want, is having something to say – being able to look for things that help us to express ourselves visually, and to look past the instant gratification stage of our lives and to move on to something deeper. . . something that is keyed in to our emotions.

I will write more about this but for now, look at lots of photographs and start asking yourself is that something that moves you and if not, can you find something that does.

Guitar photo by Scott Bourne

I use the illustration of one of my guitars featured in this post as an example. I love my guitars. I love guitars in general. I love guitar music. I love guitar players. I love anything and everything related to guitars. So it follows that I should have a point-of-view when it comes to photographing guitars. I want to peel back the onion so to speak with my guitar photos and reveal only that which is necessary to get people begging for more.

So rather than make a simple photo of my guitar, head stock to strap button, I decided to use composition tools and lighting techniques to express myself. I wanted to capture just a hint of the guitar. My hope is that this illustrates the allure for the instrument that fills my soul. Maybe it works, or maybe it doesn’t. But that’s the point of SEEING. You find something that moves YOU. It’s up to you. Let everyone else decide for themselves. but don’t wait on their permission. You do you.

Sound like rubbish to you? No problem. This post wasn’t meant for you. If it sounds like something that reaches you inside and where you want to go with your creative pursuits, then stay tuned. I will be writing about this subject more often. Unfortunately there is only a small audience for such posts, but I will write them in any event because I wish I had known about this aspect of photography years before I figured it out.

And one last thought – whether or not you like the image I made of the guitar use it as inspiration to start you on a path to finding something you can photograph and take an approach that goes beyond the expected. Thrill your audience. Thrill yourself. Thrill me. I am rooting for you.


Picture Methods has partnered with Hunt’s Photo & Video to bring you the best gear at a competitive price and backed by personal service. Call Alan Samiljan at 781-462-2383 or Noah Buchanan at 781.462.2356. If you cannot reach either one try Gary Farber at 781-462-2332. You will ALWAYS get the best prices if you call the store v. Using the web site. You can also email Noah at: nbuchanan@huntsphoto.com or Alan at alansamhunts@gmail.com or Gary at: gfarber@huntsphoto.com. Hunt’s has been around a long time and you can trust them. Make sure to mention that Scott Bourne sent you. That will get you the best deal.

7 Responses

  1. I love your thoughts on photography. I do hope that some folks, including me will experiment more with different shots to the standard tourist capture. Please post more on this subject. I am listening.

  2. Great article thanks Scott. After carrying around a camera for ten years fairly regularly, I have only recenly started thinking about how I can better represent myself through photography. For instance, a couple of nights ago I was wondering if there was a specific “character” to wildlife portraits taken with supertelephoto lenses, and should I be trying to replicate this “look” with my Oly 300 F4?)? A weird question maybe, possibly without an answer, but I did conclude that like a microscope, a telephoto lens is a tool that can reveal things usually unnoticed by the human eye (similar to the remark from your old photography friend), as opposed to say a 50mm which is supposed to replicate the human FOV. So for now at least, I will be thinking about the unnoticed features of the animals I normally photograph that my gear reveals. A small animal on a lichen covered branch. The fur that flies when two mammals fight. The strange shapes that birds make in flight or when moving rapidly. And so on. I may not have found my creative eye yet (and I’m so glad you said “Other’s have to develop it”, because there are some out there who believe it is an innate, unlearnable ability), but I am beginning to see my gear as just tools to resolve my own vision, whatever that may be. Merely thinking about this stuff is a huge step for me from my early days of just trying to get an animal in the centre of frame in focus, and being happy that I have a cool camera! Thanks again.

  3. Thanks so much for this. I live in Philadelphia PA. I’m sure there are a lot of stereotypes about Philly out there but for me, it’s been a city full of smiles. I have so many photographs of Philadelphian’s smiling, crowding together in pure celebration of being out in the city. Now the smiles are behind masks. The faces are behind doors. I walk my dog a couple of miles every morning past those doors, usually without a camera trying to feel my way to how to express my love and sadness about what is happening to my city. I hope that by the end of the summer I’ll have made a couple of photographs that begin to express how I feel and what is happening here.

  4. Love your photo of the guitar. I’m looking forward to more articles of this kind. I’m about your age and have been photographing since my teens. Unfortunately life, or perhaps my priorities, has/ have not allowed me to do full justice to my love of the art. Now that I’m retired I hope to be able to follow my passion. You’re a great inspiration. Your writing is so up to the point. Thank you ever so much.

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