For me, it’s long been a dream that I could just have one lens that would do it all. Everything from very wide to long telephoto shots, in one compact piece.
Olympus and I go way back. I got my first OM series film camera in the mid-1970s. While I started in 35mm with Nikon, I ended up using mostly Minolta and Olympus back in those days. I even carried my gear around in a silver Zero Halliburton camera case. (Those of you who are like me, on the wrong side of 60, will remember those cases fondly, I am sure.) Then, as it is now, the Olympus glass was both spectacular and reasonably affordable and the OM series had the first reliable in-camera light meter. It was a match-needle affair that I thought was the coolest thing ever. That pushed me into the Olympus gear for shooting motor sports.
Picture Methods Episode 03 Show Notes Welcome to the flagship podcast of the Picture Methods blog where we […]
Don’t import a color image and select the IMAGE > MODE > GRAYSCALE command to convert it into black and white. If you do that, you will literally throw away two thirds of your valuable data that you can’t get back later! You will also end up with a flat, drab-looking image that will make a turkey puke.
It is as dependable as tax time. The camera forums are populated by experts who tell me you can’t get a creamy bokeh out of a Micro Four Thirds lens because the crop factor doubles the depth-of-field. Sigh….
The photos accompanying this post were all made from a photography blind. While not necessary for larger birds like eagles, herons, cranes, geese, etc., a photo blind is very much necessary for consistent work with smaller perching birds like warblers, sparrows, and songbirds.